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Gaston ist die namensgebende Hauptfigur einer Comic-Reihe aus dem Magazin Spirou. Gezeichnet wurde sie von André Franquin vom Februar bis zu seinem Tod im Jahr Bis war der Zeichner Jidéhem als Co-Autor an der Serie tätig. Bis war der Zeichner Jidéhem als Co-Autor an der Serie tätig. Im französischsprachigen Original heißt die Figur mit vollem Namen Gaston Lagaffe. La gaffe. Gastons erster Auftritt. Es war am Februar , dass Gaston Lagaffe erstmals auf Seite 5 des Magazins Spirou Nr. in Erscheinung trat. Mit einer. Chaque semaine, construisez une reproduction fidèle de la voiture de Gaston à l'échelle 1/8.À chaque numéro, retrouvez des pièces de. Bref, c'est une version % Franquin de Gaston Lagaffe que Dupuis et Marsu Productions proposent aux amateurs, qui pourront compléter leur collection, sans.
Bis war der Zeichner Jidéhem als Co-Autor an der Serie tätig. Im französischsprachigen Original heißt die Figur mit vollem Namen Gaston Lagaffe. La gaffe. Bref, c'est une version % Franquin de Gaston Lagaffe que Dupuis et Marsu Productions proposent aux amateurs, qui pourront compléter leur collection, sans. Heute feiert Gaston Lagaffe seinen Geburtstag Am Februar war Gaston Lagaffe erstmals im Le Journal de Spirou zu sehen. Trotz des Todes.
Gaston Lagaffe InhaltsverzeichnisPlease click for source Multilateralismus wird weiterhin im Mittelpunkt der belgischen Diplomatie stehen. Hauptseite Themenportale Zufälliger Artikel. Später tauchte er in einzelnen Szenen https://graenbycentrum.se/bs-serien-stream/jurassic-world-movie4k.php Serie Spirou und Fantasio auf, um dann eine eigene Serie zu erhalten. Wir nutzen neueste Technologien, um die Website von visit. So sind einige Sketche, welche continue reading vorherigen Auflagen nur in neu gezeichneten Versionen zu sehen waren, nun in den Originalversionen restauriert worden; das Zusatzmaterial, teilweise nie in Deutschland veröffentlicht, wurde an die chronologisch korrekten Stellen gesetzt imdb movie 43 die Kolorierung überarbeitet sowie das Lettering vereinheitlicht. Brüsseler Nachtclubs und Bars. Gaston der im Film einfach nur G. Ende erschien unter dem See more Der Ganze Gaston erstmals eine Gesamtausgabe, die alle Gags in fünf Bänden im Schuber zusammenfasst und zudem einiges an teilweise nie zuvor in Deutschland veröffentlichtem Zusatzmaterial und Hintergrundinformationen über die Comicserie bietet. Oiselle me jeanne-d' Après-gaston lagaffe franquin-supplement spirou | eBay. Find many great new & used options and get the best deals for Oiselle me. Heute feiert Gaston Lagaffe seinen Geburtstag Am Februar war Gaston Lagaffe erstmals im Le Journal de Spirou zu sehen. Trotz des Todes. Gaston – UGC Films. Für die Rückkehr der berühmten Comicfigur Gaston von André Franquin auf die große Leinwand bekam Flokk die fantastische. Gaston Lagaffe: Le Cas Lagaffe von André Franquin Gebundene Ausgabe bei graenbycentrum.se bestellen. gaston lagaffe film.
The story of the first all-female soccer team in France, which started as a provocation but became a revolution. Gaston gets hired as an intern.
With its wacky inventions he puts the daily life of his colleague's on stilts. Our brilliant hobbyist experience crazy adventures with a cat, a gull, a cow and the Flat Vid Phone.
The score for this movie actually made me write my first review ever in all my years on this site.
I only recently discovered that this movie exists by accidentally finding a trailer on YouTube. My reaction was mixed between cringe and excitement, excitement because I adore the work of Franquin and cringe because usually "live action" adaptations are very difficult to pull off.
It is by no means a perfect film, but I think people underestimate how difficult it is to craft an overarching narrative for a movie based on one or half page comic strip gags.
It brings with it a lot of difficulties. In a comic strip readers don't wonder why the lazy mail man doesn't get fired because the world is very small.
In a movie however you need to construct character motivation. Additionally, I believe the comic was set in around the sixties, so the writers needed to modernize the setting and the characters a bit, and I think they did well.
Sometimes the choices they make are a little bit hamfisted, for example they turned the policeman antagonist into a meter maid, policeman in training, but in the comic this was his primary role, to give Gaston a hard time for parking without paying, so they had to fit it in somehow.
Most of the time, however, I think the choices work. What surprises me is no one seems to notice how much LOVE and respect went into this movie.
It doesn't come off as a mindless cash grab at all. The boy who plays Gaston is a perfect choice, he has the posture, the looks and is very very endearing, but also annoying and a bit awful in his own ways.
The readers of the comic surely remember that Gaston could sometimes be a bit of a jerk, but overall likeable.
And I feel they captured this spirit. Also they did right by the characters, Prunelle does well, as does mademoiselle Jeanne and they definitely nailed the spirit of Lebrac.
What gave me so much joy was seeing Jules de chez Smith en face and Bertrand. With those two they took the essence of the characters of Gastons slacker friends and they modernized them in a respectful way.
The story is all in all quite thin and serves mostly as a vehicle to get a lot of visual gags out there, but I think it works.
They pay homage to visuals from the comics from the get go and you'll find a lot of recognizable tidbits all throughout the movie if you know the comics well.
I like how they made De Mesmaeker the antagonist and how we learn what the contracts are for. The antics and inventions ramp up in the function of the plot, in my book it works.
I really feel like the people who created this movie really came from a place of respect and love for the comic and they did their utmost best to construct a movie around the world of Gaston.
Their efforts are commendable and I strongly lament the negativity of the reception of this movie. What did people expect?? How would they have wanted to see it different?
It's never gonna be exactly the same, but I honestly think they stayed as close to the source material as they could or should.
This movie gave me a lot of joy and is a great expansion of the Gaston universe. I really really hope the movie was successful enough, made back a good amount of money and that the people who worked on it and the actors are proud of what they made.
Honestly the low score breaks my heart! It's not deserved. Thank you for this very adequate slice of nostalgia! I love it.
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Photo Gallery. Trailers and Videos. Monsieur Dupuis the real-life publisher Jean Dupuis himself has made two appearances - both times we only see his legs.
Occasionally, real-life figures from the Journal de Spirou such as editor Yvan Delporte or writer Raoul Cauvin have cameos.
Jules-de-chez-Smith-en-face Jules-from-Smith's-across-the-street is one of Gaston's friends. He "works" much in the same way as Gaston "works" in the office just across the street from the Journal de Spirou , prompting countless attempts at cross-street communication via walkie-talkie, flash card, carrier seagull etc.
Jules shares Gaston's childish enthusiasm, and is his sidekick in many ventures. Although they are close, Jules addresses Gaston as "Lagaffe".
Bertrand suffers from acute depression, mirroring Franquin's own problems with the illness, and Gaston and Jules do their best to cheer him up with food, country drives and other things all of which backfire comically.
Manu is another friend, who regularly turns up in different jobs like Bert in Mary Poppins : chimney sweep, sewer worker, installer of street signage He also partakes in Gaston's schemes to irritate Longtarin , the policeman.
De Mesmaeker has developed a deep loathing for Gaston and by extension his colleagues. His frequent visits allow Franquin to satirise business rituals, as Dupuis's employees shower him with attention, complimentary drinks, cigars but De Mesmaeker almost inevitably ends up storming out of the offices, swearing never to set foot in them again, passed out on the floor or even in hospital due to Gaston's catastrophic blunders.
Joseph Longtarin "long nose" is a policeman working in the neighbourhood where the offices of Spirou are located. One of his particular responsibilities is for traffic and illegal parking.
An exceptionally petty and vengeful man, he is the closest thing the series has to a villain. He is one of Gaston's favorite "victims" as well as his nemesis.
The two clash continually over Gaston's car and parking habits. He pulls off other pranks, such as putting a small effigy of Longtarin on the front of his car, in a parody of the Rolls-Royce Spirit of Ecstasy.
This company is also a frequent victim of Lagaffe's mishaps and Fantasio or Prunelle often bear the brunt of Ducran and Lapoigne's anger—both of them being big muscular men, as their names suggest.
His occasional break-ins at Spirou are always foiled accidentally by Gaston, who tends to inadvertently leave dangerous objects, devices or pets around the office.
Workers at Spirou see Freddy as a fellow victim of Gaston, and, instead of turning him in to the police, offer him comfort and freebies when they find him in the morning.
Objects play an important part in Gaston's life, and some of them have become iconic enough to be sometimes recreated in real life for exhibitions and such.
The main two are:. Gaston drives an old Fiat , which he acquires in gag , decorated with racing patterns that he added himself.
The car also produces huge quantities of often toxic smoke, even more so when Gaston converts it to run on coal.
Customisations and ill-fitted upgrades include:. Some of Gaston's colleagues are terrified at the very thought of sitting in the Fiat — Prunelle swears on several occasions that he will never set foot in it again.
The car is also the source of many clashes with Longtarin , as Gaston endlessly devises schemes to avoid paying parking meters, even going as far as parking it up in a tree or faking roadworks.
This extraordinary instrument, a prehistoric-looking combination of horn and harp created by Gaston,   produces a sound so terrible and loud that it causes physical destruction all around and panics animals and even fighter jet pilots.
Like the voice of the bard Cacofonix in Asterix , it horrifies everyone except its originator. The first time the instrument appears, the plucking of just one string causes the floor to collapse.
Gaston later rebuilt his instrument. An early running gag involved Gaston coming up with elaborate and extremely impractical costumes for fancy dress parties at the facetious suggestions of his colleagues: Roly-poly toy , octopus, Greek urn, petrol pump, Eiffel Tower etc.
He was invariably worried about whether he would be able to dance with the outfit on. Once, he dressed as the Marsupilami.
The task most often given to Gaston by Prunelle is to sort and answer the mail, presumably sent by readers.
This often builds up to a mountain-like backlog, which Gaston often attempts to dispose of in creative ways, for instance stuffing a homemade sofa with it.
In a similar vein, Gaston was briefly put in charge of the reference library: at first he arranged the books into a maze and charged his colleagues for admission, and later he simply piled them up, dug a cave in the middle and settled there with his pets, a radio and a stove to sleep all day.
This is possibly the most frequent running gag in the series, and by Franquin's admission a MacGuffin : "Whatever's in the contracts is irrelevant.
What we want to see is how Gaston will prevent them from being signed. However, the contracts are irrevocably jinxed: before De Mesmaeker can apply pen to paper, Gaston's latest gimmick comes along, provokes mayhem and causes the hapless businessman to storm out, rip the contracts up, or in some cases pass out.
Even when they do get signed, Gaston can always be counted on to accidentally destroy them. Over the years, Fantasio and Prunelle's efforts to get the iconic contracts signed become increasingly frantic and desperate.
Prunelle even goes so far as to send Lagaffe to the other side of town on some wild goose chase or bound and gag him and lock him into a cupboard but even these drastic measures backfire and fail.
On two occasions, De Mesmaeker actually ended up signing other contracts with Gaston spontaneously, instead of the contracts, both merchandising deals over Gaston's inventions the "Cosmo-clock", an Apollo spacecraft -shaped cuckoo clock ,  and a soup recipe.
Authors at Spirou could only go so far in expressing anything resembling politics within the magazine, and so the author of Gaston generally stuck to a gentle satire of productivity and authority.
Outside of Spirou however, Franquin had a free rein, and used Gaston in promotional material for diverse organisations such as Greenpeace and Amnesty International.
In the former, activists scare whales away from whalers by plucking the dreaded gaffophone. For the latter, Franquin produced a gut-wrenching sequence where Gaston is beaten and tortured and forced to watch M'oiselle Jeanne raped in front of him, before being sent to a prison camp.
In the penultimate frame he faces capital punishment which the punters hope "serves as an example".
Awaking in a sweat, Gaston shouts at the reader that "although this was a nightmare, it's happening right now around the world", urging membership.
Gaston has also appeared in advertising campaigns for batteries, a soft drink Orange Piedboeuf ,  and in a campaign to promote bus use.
The material was always drawn by Franquin himself rather than under licence, and has been reprinted in books.
The latter campaign is interesting in that it shows Franquin's evolution from car enthusiast inventing the Turbo-traction and other fancy sports vehicles for Spirou in the s, to disillusioned citizen concerned over traffic and pollution in later years.
One topical strip had the seagull boycotting Gaston's car after seeing a bird stuck in an oil spill on television. In the first Gaston book, a small-format 7x13 cm publication, was released.
Its format was so unorthodox that some retailers thought it was a promotional issue to be given away for free. Fifteen major albums were published between and , including all the strips that appeared in Spirou.
There were some oddities such as number 1 appearing out of sequence and number 0 twenty years later. The first five were quickly sold out; the others were frequently reprinted.
The R5 album was not published until ; its non-existence until then had been a mystery. This was due to the republication of the real first five books: they were published on a smaller format, and from these small ones they couldn't make five big ones.
The titles and contents did not exactly match the large-format albums. In , upon Gaston's 50th anniversary, Marsu Productions published Gaston 50 , a new album with unpublished work.
The strange number 50 refers to Gaston's age but also to the chaotic numbering of the Classic series, which hadn't got a number five for a very long time.
Issue no of Spirou magazine was conceived as a tribute to the series, with tributes and parodies being drawn by artists such as Yoann , Olivier Schwartz , Lewis Trondheim , Fabrice Tarrin etc.
One of the rooms dedicated to his comics is a replica of Gaston's office. Gaston Lagaffe is among the many Belgian comics characters to jokingly have a Brussels street named after them.
There is also a wall, part of the Brussels' Comic Book Route , designed in homage to the comics. A mural painting represents Gaston Lagaffe in the rue des Wallons in Louvain-la-Neuve , based on an original painting by Franquin.
Franquin, uncomfortable with the prospect of a live adaptation of Gaston , had given permission for the elements and jokes from his work to be used, but not the actual characters.
As a result, the characters' names were all changed, making the film appear more like an imitation than a proper adaptation.
From Wikipedia, the free encyclopedia. Retrieved 17 July Archived from the original on Retrieved Distri B. Spirou et l'aventure.
Gaston Capturez un Marsupilami La Queue du Marsupilami. Dupuis Marsu Productions. Spirou Tintin.
Champignac Palombia. Categories : Belgian comic strips Belgian comics titles Gag-a-day comics Workplace comedies Workplace comics Comics set in Brussels Comics set in Belgium Brussels in fiction comics debuts comics endings Dupuis titles Spirou et Fantasio establishments in Belgium Belgian comics adapted into films Comics adapted into video games Comics adapted into animated series Comics adapted into television series Comics set in the s Comics set in the s Comics set in the s Comics set in the s Comics set in the s.
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