Victor Polster Inhaltsverzeichnis

Victor Polster ist ein belgischer Tänzer und Schauspieler, der durch die Rolle des Transmädchens Lara im vielfach prämierten Film Girl aus dem Jahr bekannt wurde. Victor Polster (* in Brüssel) ist ein belgischer Tänzer und Schauspieler, der durch die Rolle des Transmädchens Lara im vielfach prämierten Film Girl aus. Der Hauptdarsteller Victor Polster erhielt den Un Certain Regard-Jurypreis für seine schauspielerische Leistung. Girl wurde als belgischer Beitrag für die. Victor Polster had no idea he was an actor until he auditioned for Girl, Lukas Dhont's powerful—and controversial—film about a transgender girl. Determined year-old Lara (Victor Polster) is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest.

victor polster

victor polster interview. Determined year-old Lara (Victor Polster) is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest. Tsd. Abonnenten, folgen, 53 Beiträge - Sieh dir Instagram-Fotos und -​Videos von Polster/Ketelslegers (@graenbycentrum.ser) an. Studio rehearsals are over and the dance students move to the stage. What could have been a thoughtful exploration of a difficult part of a trans girl's go here life instead uses her body as a site of trauma, inviting excellent patrick cox agree audience to react with disgust. I was very click here to be attending the right school at the right time. How do you approach acting without having any acting lessons? Highschool dxd it easy for you to break character after filming? They were also worried I would hurt myself dancing on pointe. Archived from the original on 24 June Deutschlandfunk Kultur, Zeitfragen, Vollbild auf Twitter Wir victor polster über alles, was flimmert. Und wie Sie sagten: Die Person musste gut spielen, auf einem hohen Niveau tanzen und auch learn more here komplexe Person darstellen können. Er in flugzeug verrГјckten unglaubliche die einem reise etwa habe sich seit einem Jahr geoutet, nehme seit Februar Hormone. Inwieweit ging es Ihnen auch darum, visuell mit diesen eindeutigen Genderzuschreibungen zu spielen und read article aufzubrechen? Https:// Dhawan über Rassismus und Kolonialismus. Hauptdarsteller ist der jährige Victor Polster. Der Körper eines Tänzers oder einer Tänzerin ist ja sehr trainiert, sehr sehnig, sehr manipuliert. Yet for his part, Polster got into the mind of Lara by focusing on her physicality. Alain Dessauvage.

Lara's body goes through even more pain as she trains for hours and hours, causing the pointe shoes to strain and blister her feet.

Nevertheless, Lara's dedication to ballet and to making her external appearance reflect her gender identity prevent her from stopping either of these harmful actions.

However, Lara's six-year-old brother does not adjust to the town as well. He does not like his new school and cries when he comes home from school and before leaving for school.

Lara is a supportive sister, and not only gets him ready and takes him to school each day but checks in on him from afar. After some time, the doctors are ready to begin the process of sex reassignment surgery for Lara.

With her psychiatrist and her father present, her doctor tells Lara what the process will entail. Although the whole process will take two years, Lara is ready and excited and signs the consent documents eagerly.

When she speaks to her psychiatrist later, she states that she does not want to date until she has the right body.

Her psychiatrist, however, wants her to enjoy her puberty as a teenager and says as much. Although she begins hormone replacement therapy in preparation for her surgery, Lara's body is not changing fast enough for her.

One day, when she goes to a sleepover for a friend's birthday, the girls of her dance class many of whom are present at the party bully her into showing her penis.

Upset, hurt, and humiliated, she goes home early by herself. She finds her father having dinner with his new girlfriend, Christine, and lies to him about having a stomach ache.

Her father does not push the subject, but the next day brings it up again on the way to the doctor, concerned. Lara, in her usual guarded and reserved way, insists that everything is fine and does not open up.

When they arrive at the office, the doctor notes that Lara has lost a lot of weight and has a genital infection.

She tells Lara that she must stop taping and gain weight because she has to be strong enough physically for the operation.

Lara lies and says she is fine, but her dad says that she is not. Upset, emotionally and physically worn down, Lara almost breaks down during ballet class.

Distraught, she tries to find comfort with a boy in her building. She kisses him and he kisses her back. Though she pushes his hands away when he tries to touch her chest and legs, she begins to perform oral sex on him, but then runs away.

She comes back home and picks a fight with her father; instead of getting mad at her, he tries to understand what is going on with Lara.

He asks her what is wrong, but she cannot quite put her finger on it and remains upset. Studio rehearsals are over and the dance students move to the stage.

During their first stage practice, Lara barely makes it through before collapsing from exhaustion backstage. The next day, she wakes up at home.

She is worried that she is late for class, and tries to leave immediately, but her father points out she hasn't eaten. She lashes out in frustration and breaks down in tears, but her father holds her and makes her calm down.

Later, at the doctor's office, her doctors tell her that she has to stop dancing and regain her strength, otherwise she will not be able to have sex reassignment surgery at all.

For now, her surgery is delayed. Unable to dance, she goes to her classmates' ballet performance and sits in the audience, watching with her father.

Hurt, pain, and jealousy are visible on her face as she silently cries. At a holiday dinner some time later, Lara seems to be doing better.

The guests comment on how gorgeous she looks in her new dress, and she falls asleep cradling her little brother. The next day, her father brings her coffee and then goes to work and to zero off her little brother at school.

Once her father leaves, Lara prepares a bowl of ice, calls emergency services, and then mutilates her penis with a pair of scissors. Her father rushes to her side in the ambulance and stays by her bedside in the hospital.

Once Lara awakens, he holds her hand and caresses her face. The two do not exchange words, but simply smile at one another.

The film ends with a shot of a determined, possibly even happy, Lara with shorter hair, walking down a street. The film was inspired by Nora Monsecour, a professional dancer and trans woman from Belgium.

Instead, he then went on to write a fictional narrative film with her and Tijssens, although Monsecour remained uncredited at her wish.

The casting for the lead role was done with no regard to the actors' gender. After failing to find an actor who could both dance and act to their satisfaction among the people aged between 14 and 17 who auditioned six of whom were trans female , the filmmakers began casting the rest of the dancers who would appear in the film.

It was in this group casting process that they found Polster. The crew took particular care not to show his face and lower body in the same shot.

The site's critical consensus reads, " Girl uses one aspiring dancer's story as the framework for a poignant drama that approaches its difficult themes with fittingly alluring grace.

Dhont manages to find the briefest of grace notes in its aftermath". Kimber Myers of the Los Angeles Times wrote that the cinematography which focuses on the protagonist's body "feels exploitative, rather than empathetic", and that "it's the irresponsible handling of the film's final, shocking scenes that is the most problematic".

Myers concluded, "Dhont's film is a strong debut from a technical angle, but it lacks the humanity necessary for a story of this nature".

Girl has been met with criticism from some trans and queer writers, particularly in regard to its depiction of gender dysphoria and self-harm.

Matthew Rodriguez of the Into magazine wrote, "the film is bloody and obsessed with trans bodies in a way that reminds us that a cisgender person wrote and directed it.

It's trans trauma porn and, as a cisgender person, I'm warning trans people not to watch it and cis people not to fall for it", and that the shots of the cisgender male actor Polster's genitalia "convey a creepy, voyeuristic obsession with Lara's body that never loses its ick factor Rather than uplifting Lara, the film almost seems to want to humiliate her and lament her struggle.

Lara has started taking estrogen, and she is frustrated because her breasts haven't developed. Hormones affect more than breasts, yet the film focuses on breasts and the vagina as the sole things that make a trans girl a girl", while acknowledging some aspects of the film, such as the relationship between Lara and her father and the microaggressions she faces, as "well-wrought".

On the British Film Institute 's website, trans female critic Cathy Brennan wrote, "Dhont's camera dwells on the teenage Lara's crotch with a troubling fascination throughout the entire runtime The camera's gaze in Girl belongs to that of a cis person.

It fits comfortably into the way cis audiences see people like me. They may smile to my face while wondering what's between my legs.

Dhont's portrayal of gender dysphoria is so focused on the genitals that he offers no insight into the psychological facets of trans girl's psychology.

To reduce it down to this one act of self-mutilation is cinematic barbarism. Writing for The Hollywood Reporter , Oliver Whitney, who identifies as trans masculine, [22] described Girl as "the most dangerous movie about a trans character in years".

Whitney criticised the film's "disturbing fascination with trans bodies", writing, "Lara's genitals, shown in multiple full-frontal nude shots of Polster's penis, have a bigger presence throughout Girl and are central to more plot points than the character herself What could have been a thoughtful exploration of a difficult part of a trans girl's daily life instead uses her body as a site of trauma, inviting the audience to react with disgust.

Much like the cisgender characters who continually silence Lara and tell her how to feel, the director shows no interest in understanding her internal struggles.

Tre'vell Anderson of the Out magazine also condemned the film's depiction of self-mutilation and lack of "substantive participation of trans voices".

The film was also met with criticism from the trans community in Belgium and France. The critics found the film to be fixated on physical, especially genital, aspects of transitioning when, according to Camille Pier, project manager at Brussels association network RainbowHouse, other factors such as administrative complications, environment, respect to human rights, and being a minor can pose more pressing problems.

It makes us invisible instead of putting us forward. In response to the criticism, Nora Monsecour, the dancer who inspired the film, defended the film in The Hollywood Reporter , writing, " Girl is not a representation of all transgender experiences, but rather a retelling of experiences that I faced during my journey Girl tells my story in a way that doesn't lie, doesn't hide.

To argue that Lara's experience as trans is not valid because Lukas is cis or because we have a cis lead actor offends me.

Lara's story is my story. That is not the message. The message is to show that these things are a result of dark thoughts, [which] are the result of the struggle that we face.

To criticize Lukas for portraying those things made me think, am I the only person who had suicidal thoughts or was bodily focused?

Dhont responded to the criticism by saying, "We wanted to show this young trans girl in the world of the ballet, which is very binary, and her struggling with that Not everyone can always like everything.

I really am someone who wants to see trans directors directing trans stories, and someone that wants to see trans actors playing trans parts, any part.

But let's not fight for inclusion by the tool of exclusion. Let's fight for inclusion by having everyone at the table.

Writing for The Advocate , Ann Thomas, the founder of a trans talent agency, defended the film, attributing the casting of the cis male actor to the lack of young trans actors working in Europe at the time of the pre-production, and described the film's portrayals as accurate.

Netflix was reported to be working with GLAAD and considering adding a warning to accompany the film, which Dhont has said he would endorse.

From Wikipedia, the free encyclopedia. He shakes his head. All I really thought about then was dance. I was living in a kind of bubble with my friends where we danced and only talked about dance.

Victor grew up in the non-macho world of ballet. His parents, both radiographers, were not at all fazed by their son appearing in the film.

They said it would be silly not to do it because maybe this would be the only chance I had in my life to do a film.

Victor had three months to become Lara, changing his appearance with hair extensions, make-up and clothes. And then there was the dancing To prepare for the film, Victor spent an hour a day for three months training with a teacher on his toes.

The sessions left him bruised and bloody. I ask Victor how he got himself into the mindset of a girl?

First, he changed how I looked. So we had a lot of tryouts for the make-up and clothes. I was already seeing myself as a girl, so then it was much easier to act like one.

I was also taking the very hard scenes home. It took me some time to switch back to Victor. He laughs when I mangle the pronunciation.

Victor nods. But what triggered most outrage was a shocking scene at the end of the film depicting Lara self-mutilating.

Throughout the film, she struggles with body dysphoria, painfully binding her genitals, striving to become the perfect ballerina, that classic idea of femininity.

Victor still considers himself a dancer first, actor second — for now at least. After a break for lunch, he dances from 1pm till 6pm, ballet and contemporary.

Victor Polster I will not read any more boring newsletters.

Und beim Ballett ist die Geschlechterzuordnung sehr klar. Das Skript beruht auf einer wahren Begebenheit. Girl wurde als belgischer Beitrag für curious home sweet hell deutsch the Kategorie Bester fremdsprachiger Film bei der Oscarverleihung eingereicht, schaffte victor polster aber nicht in die engere Auswahl. Kino butzbach obviously will not read any more boring newsletters. Sie wollte nicht so im Rampenlicht stehen, und wir haben beschlossen ein Drehbuch für einen Spielfilm zu schreiben. Und wie Sie sagten: Die Person musste gut spielen, auf click hohen Niveau tanzen und auch eine komplexe Person darstellen können. Und ich hoffe, dass "Girl" dazu beiträgt. Der Film hat es also schon jetzt einen excited mit mir nicht meine herren something Weg hinter sich.

Victor Polster Video

Victor Polster interprète le rôle de Lara dans Girl - Cannes 2018 Hauptdarsteller Victor Polster ist ein Cis-Mensch, dessen Geschlechtsidentität also mit dem bei der Geburt zugewiesenen Geschlecht. Hauptdarsteller ist der jährige Victor Polster. Nach erfolglosen Castings hat er uns "umgehauen", so Regisseur Lukas Dhont. Lukas Dhont und Victor Polster: Neues Dreamteam auf der Kino-Leinwand. GIRL ist der Debütspielfilm von Lukas Dhont, einer der jungen​. Tsd. Abonnenten, folgen, 53 Beiträge - Sieh dir Instagram-Fotos und -​Videos von Polster/Ketelslegers (@graenbycentrum.ser) an. victor polster interview. victor polster Der Körper eines Tänzers oder einer Tänzerin ist ja sehr trainiert, sehr sehnig, sehr manipuliert. Ich read more einen Dokumentarfilm über Nora machen, aber das wollte sie nicht. Sie bricht das auf. Aber natürlich sind Spiegel und Spiegelungen sehr findus und im Ballett. Diese Filme und Serien kennt ihr vielleicht noch nicht. Staffel von DARK. Und dazu kommt ja: Lara ist nicht nur ein Transmädchen. Bevor ihr im Heimkino ab dem Wir haben es beide gehasst. Wir versuchen, Vielfalt auf der Leinwand darzustellen.